Grace Glueck ââågroup Show Celebrates Pollock Legacy in Art
Nancy Grossman (b.1940)
- Selected Works
- Videos
Ray Charles, 1961
graphite on paper
xiv x 14 inches / 35.6 x 35.half-dozen cm
signed
Untitled, 1962
oil on canvas
24 ten 34 inches / 61.0 x 86.4 cm
signed
Black Landscape, 1964
mixed media aggregation on canvas mounted to plywood
49 vii/8 x 38 7/viii x 3 1/ii inches, with creative person's frame
signed and dated
Clatter Car-Figure with Stride-Upwards Forms (aka Beever Slats), 1965
black ink on newspaper
16 3/4 x thirteen seven/eight inches (sheet size)
16 3/8 x 13 3/viii inches (sight size), signed and dated
Purple Glass, 1966
mixed media assemblage on sheet mounted on plywood
49 i/4 x 37 1/2 x 6 inches, with artist'south frame
signed and dated
Untitled, 1966
black ink on paper
xvi 3/4" ten 13 3/4" canvass size
fifteen 3/iv" x 12 7/8" sight size, signed and dated
Potawatami, 1967
leather, prophylactic and metal assemblage on plywood
63 1/8" 10 38" x 11 three/4", signed and dated
Untitled, 1968
leather, wood, epoxy and metal hardware
16 7/8 x 7 ane/two ten 8 3/four inches / 42.9 ten 19.1 x 22.ii cm
signed
Figure with Folded Arms, 1973-74
collage of various papers with watercolor on board
48 x 36 inches / 121.9 x 91.iv cm
signed
Blackness, 1973-74
leather, forest, paint, epoxy, bandage aluminum and metallic hardware
16 x 9 1/4 10 vii iii/4 inches / 40.6 ten 23.five x xix.7 cm
signed
Untitled, 1976
collage with watercolor on board
48" x 36", signed and dated
Snake Still-Life with Pond Puddle, 1993
mixed media collage with diverse papers on Masonite
35 1/4" x 44 5/8", signed
My Terrible Stomach, 1964/2015
assemblage of wood, metal, plastic, rubber and string
86 i/ii" 10 24 one/two" x xiv 1/2", signed and dated
Exhibitions
New & Noteworthy
Art + Sale, September 2014
by Doug McClemont
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The New Yorker, June 2014
Goings on About Town: Art
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Art & Antiques, From the Editor, May 2014
by John Dorfman
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MRG Printing RELEASE
Nancy Grossman: The Edge of Always, Constructions from the 1960s
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Intermission Magazine, Fall-Winter 2013-xiv
past Alessandra Codinha, photography by Bjarne Jonasson
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The New York Times, June x, 1983
by John Russell
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ArtCritical Outcome Listing, March 7, 2013
past David Cohen
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Art in America, Oct 2011
by Matthew Nichols
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MRG PRESS RELEASE
Nancy Grossman: Combustion Scapes
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The New York Times, January 12, 2001
by Grace Glueck
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The New York Times, May 5, 2000
by Roberta Smith
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Sculpture Magazine, July-August 1998
by Robert C. Morgan
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The New York Times, September 27, 1991
past Roberta Smith
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The New York Times, February 23, 1964
by Brian O'Doherty
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Prints & Publications
Creative person Data
- Biography
- Didactics
- Public Collections
- Solo Exhibitions
- Group Exhibitions
- Awards & Honors
- Download PDF
[In 1960] I underwent an internal revolution. I no longer felt that I had to please . . . but knew that I could limited myself. I did that through human figures. They were falling from the sky every bit if falling from grace . . . or were suspended in fetal positions. I besides fell—out of my harness of familial expectations . . . I fell out of the bondage of being the oldest kid with so much responsibility . . . In between the womb and tomb was fierce strife and anxiety. Any figure non in the fetal position or buried was striving."[i]
A master of sculpture, drawing, and collage, Nancy Grossman (b.1940) was born in New York City to parents who worked in the garment industry. When she was five, the family moved to a farm exterior Oneonta, NY, where Grossman grew up among an extended family of viii adults and 16 children. She demonstrated an advanced drawing ability from a immature age, and after her family relocated their garment manufacturing plant to Oneonta in 1950, Grossman began experimenting with textiles, making doll habiliment and marionettes. She finished loftier school early and enrolled at Pratt Establish in Brooklyn with funding from a New York State Regents Scholarship. Amid Grossman'south determinative influences was ane of her painting instructors at Pratt, Richard Lindner, who became a meaningful friend and mentor until his expiry in 1978. After earning her Bachelor of Fine Arts caste in 1962 she won an Ida C. Haskell Award for Foreign Travel, which enabled her to spend fourth dimension in Europe.
In 1964, Grossman had her first solo evidence Krasner Gallery, which, like many subsequent shows, was well received. The following year she won a John Simon Guggenheim Foundation Fellowship—the but painter to receive the laurels that year. Grossman's piece of work of the early- to mid-1960s comprised collages, expressive and colorful figurative works on newspaper and paintings, and leather and metallic aggregation relief works with a related series of line drawings. In 1968 Grossman created the commencement of her iconic leather caput sculptures, which drew widespread attention and acclaim; she would continue to aggrandize the series throughout the following 25 years. Initially carved from the forest of discarded telephone poles Grossman applied her superior tailoring skills to create leather sheathes for the sculptures, which and then adorned with zippers, glass eyes, enamel noses, spikes, and straps. While their size, shape, and facial features advise masculinity, she refers to them equally self-portraits, implying the mutability of gender and demonstrating that all artwork offers something of the creative person. Exquisite every bit they are, the heads threaten to overshadow the residuum of Grossman's fine art, largely due to sensationalistic interpretations that run into the sculptures exclusively in a sadomasochistic frame. But these works also incorporate the central aspects of Grossman'due south fine art: an encompass of gender ambiguity, an interest in formal contradiction and conflict, an audacious use of leather, and a rich sensuality.
By 1970, Grossman had been featured in iv more solo exhibitions and was existence represented by Cordier & Ekstrom Gallery. Her practice had over again expanded and now included abstruse collages, freestanding abstruse sculptures, and a wealth of abstract and figurative piece of work on paper. In 1970 John Canaday, fine art critic at The New York Times, praised Grossman's ability to combine "precise linear representational technique with intense expressive force, a combination that has been rare since the Renaissance,"[ii] and the following year declared her "the well-nigh impressive young American artist I know of."[3] In 1973 she created the first works containing her iconic "gun-caput" motif—a response to the escalating war in Vietnam—besides as her semi-textual, diaristic collage works. That same year she initiated her dyed paper collage technique, wherein the exhaustively reworked paper stencils soaked in various pigments to resemble an eerily pare-like surface are arranged to comprise a figural composition. Cordier & Ekstrom Gallery was also the place where Grossman met befriended master collagist Romare Bearden. Both artists were deeply involved in collage at the time and worked together to find a solution they both encountered in their work, namely the warping of their supports from the accumulated weight of layered glue and paper. Through trial and error, they realized that edifice up weight on the back of the collage would counterbalance the gravitational pull on the front. Their collaboration on this issue became the foundation for a lifelong friendship.
Grossman connected to regularly showroom new work in gallery exhibitions throughout the 1970s and 1980s, with solo shows at Cordier & Ekstrom, Barbara Gladstone, and Terry Dintenfass Gallery in New York, and Heath Gallery in Atlanta. She expanded her practice further to include editioned bronze sculptures, her iconic series of compositions depicting bearding figures with guns strapped to their faces, and a grouping of multi-figure works on paper that situate subjects of both sexes taking theatrical postures in dreamlike tableaux. In the early 1990s, Grossman began a serial of collage and aggregation works inspired by the Kilauea Volcano in Hawaii that reinvigorated her landscape practice. In the concluding twenty years, Grossman has returned to drawing, creating a group of multi-effigy compositions that draw on and expound upon themes of by serial, with a new accent on bodies in motion.
[i] Nancy Grossman quoted in Arlene Raven, ed., Nancy Grossman, exhibition catalogue (Brookville, NY: Hillwood Art Museum, 1991), 82
[2] Canaday, "Art: Surprise from Nancy Grossman," The New York Times, May thirty, 1970, too quoted in Raven, 32
[iii] John Canaday, "The Least Savage Artist Alive," The New York Times, Nov 28, 1971
Despite Grossman's notoriety, audiences generally failed to grasp the amazing scope of her work until a retrospective curated by Arlene Raven at the Hillwood Fine art Museum (Greenvale, NY) in 1991, Nancy Grossman, revealed her mastery of diverse media and genres. In recent decades, Grossman's piece of work has been the field of study of two major solo museum exhibitions: Nancy Grossman: Heads at MoMA PS1 which surveyed the artist'southward leather head sculptures in 2011, and Nancy Grossman: Tough Life Diary in 2012, a five-decade survey curated past Ian Drupe for the Frances Young Tang Didactics Museum and Fine art Gallery at Skidmore College, which was accompanied past a published comprehensive monograph. In 2007, artist Ugo Rondinone included Grossman in the exhibition The Third Listen, which he curated for Palais de Tokyo, Paris, and selected two of Grossman'south leather head sculptures to illustrate the front and dorsum embrace of the special issue of the magazine Palais published in conjunction with the exhibition.
Grossman has been consistently included in numerous important grouping exhibitions throughout her career; notable shows from the last decade include Exquisite Corpses: Drawing and Disfiguration at the Museum of Modern Art in New York (2012); America is Hard to Run across (2015); Human Interest: Portraits from the Whitney'southward Collection at the Whitney Museum of American Art in New York (2016); Torso of Work at the Honolulu Museum of Art (2017); Delirious: Art at the Limits of Reason, 1950-1980 (2017) and Like Life: Sculpture, Color, and the Trunk (1300–At present) (2018), both held at The Met Breuer of The Metropolitan Museum of Fine art in New York; Art After Stonewall, 1969 to 1989, a traveling exhibition organized past the Columbus Museum of Fine art, Columbus, OH (2019); Beauty and Seize with teeth, Frances Immature Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (2019); Strange, Berkeley Fine art Museum & Pacific Picture Archive, University of California (2019); Not I: Throwing Voices (1500 BCE – 2020 CE) at the Los Angeles County Museum of Art (2021) and Surrealism in American Art at the Centre de la Vielle Charité in Marseille, France (2021). Her work is currently on view in the Museum of Modern Art's permanent drove exhibition Drove 1940s–1970s in the spotlight installation "State of war Within, State of war Without."
Throughout her impressive career, Grossman has received a steady catamenia of accolades; in improver to the Regents Scholarship and Guggenheim Fellowship, she has been awarded a National Endowment for the Arts Fellowship (1984), a New York Foundation for the Arts Fellowship (1991), a National Academician Award from the National University Museum (1994), a Joan Mitchell Foundation Grant (1996-97), a Pollock-Krasner Foundation Grant (2001), and a Women'due south Caucus for Art Lifetime Achievement Award (2008).
Since taking on her representation in 1997, Michael Rosenfeld Gallery has mounted five solo exhibitions of Grossman's work in addition to including her work in numerous group exhibitions: Nancy Grossman: Loud Whispers, Four Decades of Aggregation, Collage and Sculpture (2000), Nancy Grossman: Drawings (2007), Nancy Grossman: Combustion Scapes (2011), Nancy Grossman: The Edge of Always, Constructions from the 1960s (2014)—which was awarded Best Prove in a Commercial Infinite in New York by the International Fine art Critics Association of America—and Nancy Grossman: My Body (2022).
Nancy Grossman is represented in museum collections worldwide including the Ackland Art Museum at The University of North Carolina, Chapel Colina, NC; Akron Art Museum, Akron, OH; Arkansas Museum of Fine Arts, Piffling Rock, AR; Art Institute of Chicago, Chicago, IL; The Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum and Pacific Picture Archive, University of California, Berkeley, CA; Bowdoin College Museum of Fine art, Bowdoin Higher, Brunswick, ME; Brooklyn Museum, Brooklyn, NY; The Columbus Museum, Columbus, GA; Columbus Museum of Art, Columbus, OH; Crystal Bridges Museum of American Art, Bentonville, AR; Dallas Museum of Art, Dallas, TX; Fogg Museum, Harvard Fine art Museums, Harvard University, Cambridge, MA; The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY; Hamline University, St. Paul, MN; Hammer Museum at the University of California, Los Angeles, CA, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; Hofstra Academy Museum of Art, Hofstra Academy, Hempstead, NY; Honolulu Museum of Art, Honolulu, Hello; The Israel Museum, Jerusalem, Israel; Jule Collins Smith Museum of Fine art, Auburn University, Auburn, AL; Krannert Fine art Museum, University of Illinois at Urbana-Champaign, Champaign, IL; Los Angeles County Museum of Art, Los Angeles, CA; The Menil Drove, Houston, TX; The Metropolitan Museum of Art, New York, NY; Montgomery Museum of Fine Arts, Montgomery, AL; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Museum of Fine Arts, Boston, MA; Museum of Fine Arts, Budapest, Hungary; The Museum of Fine Arts, Houston, TX; The Museum of Modern Fine art, New York, NY; Nasher Sculpture Middle, Dallas, TX; and the National Academy of Design, New York, NY; New Orleans Museum of Art, New Orleans, LA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Phoenix Fine art Museum, Phoenix, AZ; Princeton University Art Museum, Princeton University, Princeton, NJ; Saint Louis Art Museum, St. Louis, MO; Santa Barbara Museum of Fine art, Santa Barbara, CA; Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh, Scotland; Smithsonian American Fine art Museum, Smithsonian Institution, Washington, DC; Tel Aviv Museum of Art, Tel Aviv, State of israel; Tel Aviv University, Tel Aviv, State of israel; The University of Arizona Museum of Fine art, The Academy of Arizona, Tucson, AZ; Virginia Museum of Fine Arts, Richmond, VA; Weatherspoon Art Museum, The Academy of North Carolina, Greensboro, NC; Whitney Museum of American Art, New York, NY; and the Wichita Fine art Museum, Wichita, KS.
Grossman lives and works in Brooklyn, NY.
Michael Rosenfeld Gallery LLC is the exclusive representative of Nancy Grossman.
1962 B.F.A., Pratt Institute, New York, NY
SELECTED PUBLIC COLLECTIONS
Ackland Fine art Museum, The University of North Carolina, Chapel Hill, NC
Akron Art Museum, Akron, OH
Arkansas Museum of Fine Arts, Little Stone, AR
Art Constitute of Chicago, Chicago, IL
The Baltimore Museum of Art, Baltimore, Doctor
Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME
Brooklyn Museum, Brooklyn, NY
The Columbus Museum, Columbus, GA
Columbus Museum of Fine art, Columbus, OH
Crystal Bridges Museum of American Fine art, Bentonville, AR
Dallas Museum of Art, Dallas, TX
Fogg Museum, Harvard Fine art Museums, Harvard University, Cambridge, MA
The Frances Young Tang Didactics Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Hamline University Permanent Drove, Hamline University, St. Paul, MN
Hammer Museum, University of California, Los Angeles, CA
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Hofstra University Museum of Art, Hofstra University, Hempstead, NY
Honolulu Museum of Art, Honolulu, HI
The Israel Museum, Jerusalem, Israel
Jule Collins Smith Museum of Fine Art, Auburn Academy, Auburn, AL
Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL
Los Angeles County Museum of Art, Los Angeles, CA
The Menil Collection, Houston, TX
The Metropolitan Museum of Art, New York, NY
Montgomery Museum of Fine Arts, Montgomery, AL
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Budapest, Hungary
The Museum of Fine Arts, Houston, TX
The Museum of Modernistic Fine art, New York, NY
Nasher Sculpture Center, Dallas, TX
National Academy of Design, New York, NY
New Orleans Museum of Art, New Orleans, LA
Pennsylvania University of the Fine Arts, Philadelphia, PA
Phoenix Fine art Museum, Phoenix, AZ
Princeton University Fine art Museum, Princeton University, Princeton, NJ
Saint Louis Fine art Museum, St. Louis, MO
Santa Barbara Museum of Art, Santa Barbara, CA
Scottish National Gallery of Modernistic Fine art (Modern One), National Galleries of Scotland, Edinburgh, Scotland
Smithsonian American Fine art Museum, Smithsonian Institution, Washington, DC
Tel Aviv University, Tel Aviv, Israel
The University of Arizona Museum of Art, The University of Arizona, Tucson, AZ
Virginia Museum of Fine Arts, Richmond, VA
Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Whitney Museum of American Art, New York, NY
Wichita Art Museum, Wichita, KS
1964
Krasner Gallery, New York, NY
1965
Krasner Gallery (March), New York, NY
Krasner Gallery (October), New York, NY
1967
Krasner Gallery, New York, NY
1969
Cordier & Ekstrom Gallery, New York, NY
1971
Nancy Grossman, Cordier & Ekstrom Gallery, New York, NY
1973
Nancy Grossman, Cordier & Ekstrom Gallery, New York, NY
1975
Nancy Grossman: Collage Paintings, Cordier & Ekstrom Gallery, New York, NY
1976
Nancy Grossman: Collages and Pastels, Cordier & Ekstrom Gallery, New York, NY
1978
Church Fine Arts Gallery, University of Nevada at Reno, Reno, NV
1980
Barbara Gladstone Gallery, New York, NY
1981
Barbara Gladstone Gallery, New York, NY
Heath Gallery, Atlanta, GA
1982
Barbara Gladstone Gallery, New York, NY
1984
Nancy Grossman, Terry Dintenfass Gallery, New York, NY
1986
Heath Gallery, Atlanta, GA
1988
Nancy Grossman, The Gallery, Fine Arts Hall, Columbus College, Columbus, GA
1990
Nancy Grossman: Retrospective, Hillwood Art Museum, C. Due west. Mail Campus, Long Island University,
Brookville, NY; Sculpture Centre, New York, NY; Exit Art, New York, NY; Artemesia and Buoy Street Galleries, Chicago, IL; Arkansas Arts Center, Piffling Rock, AR; The Contemporary Museum,
1991
Collages, Constructions, Drawings and Sculptures 1965-1990, Exit Fine art, New York, NY
Collages and Heads 1970-1991, Sculpture Middle, New York, NY
1992
Binghamton University Art Museum, State University of New York, Binghamton, NY
1993
Hooks-Epstein Galleries, Houston, TX
1994
Weatherspoon Art Gallery, Academy of Northward Carolina, Greensboro, NC
Nancy Grossman: Fire Fields, LedisFlam, New York, NY
1995
Nancy Grossman: Opus Volcanus, Hooks-Epstein Galleries, Houston, TX
2000
Nancy Grossman: Burn Fields, Contemporary Museum at First Hawaiian Center, Honolulu, Hullo
Nancy Grossman: Loud Whispers, Four Decades of Assemblage, Collage and Sculpture, Michael Rosenfeld Gallery, New York, NY; Greenville Canton Museum of Art, Greenville, SC; Savannah College of Art and Design, Savannah, GA
2007
Nancy Grossman: Drawings, Michael Rosenfeld Gallery, New York, NY
2011
Nancy Grossman: Heads, MoMA PS-1, New York, NY
Nancy Grossman: Combustion Scapes, Michael Rosenfeld Gallery, New York, NY
2012
Nancy Grossman: Tough Life Diary, Frances Young Tang Museum, Skidmore College, Saratoga Springs, NY
Nancy Grossman, Marc Selwyn Fine Art, Los Angeles, CA
2014
Nancy Grossman: The Edge of E'er, Constructions from the 1960s, Michael Rosenfeld Gallery LLC, New York, NY
2016
Nancy Grossman: The 1960s, Frieze Masters, London, England
2017
Viewing Room: Nancy Grossman, Marlborough Chelsea, New York, NY
2022
Nancy Grossman: My Body, Michael Rosenfeld Gallery, New York, NY
1959
Rosequist Gallery, Tucson, AZ
1960
IBM Gallery, New York, NY
Rosequist Gallery, New York, NY
1961
Forty Painters, Urban center Middle Gallery, New York, NY
IBM Gallery, New York, NY
1962
Lever Firm, New York, NY
Krasner Gallery, New York, NY
Staten Isle Museum, New York, NY
1963
Pennsylvania Academy of Fine Art, Philadelphia, PA
Krasner Gallery, New York, NY
The Brooklyn Museum, Brooklyn, NY
City Art Museum, St. Louis, MI
28th Biennial of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC
1964
Krasner Gallery, New York, NY
1965
New Acquisitions, Aldrich Museum of Contemporary Fine art, Ridgefield, CT
Span Gallery, New York, NY
1966
Krasner Gallery, New York, NY
1968
1968 Annual Exhibition: Sculpture, Whitney Museum of American Art, New York, NY
8 + viii, Riverside Museum, New York, NY
Cordier & Ekstrom Gallery, New York, NY
1969
Nancy Grossman and Martin Carey, Cordier & Ekstrom Gallery, New York, NY
Highlights of the 1968-1969 Flavor, Aldrich Museum of Contemporary Fine art, Ridgefield, CT
Human Concern/Personal Torment: The Grotesque in American Art, Whitney Museum of American Fine art, New York, NY; University Art Museum, Academy of California, Berkley, CA
Contemporary American Sculpture, Selection two, Whitney Museum of American Art, New York, NY
1970
Zeitgenossen, Stadtische Kunsthalle Recklinghausen, Federal republic of germany
Blocked Metaphors, Cordier & Ekstrom Gallery, New York, NY
January '70: Contemporary Women Artists, Hawthorne Gallery, Skidmore College, Saratoga Springs, NY
Contemporary Women Artists, The National Arts Club, New York, NY
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
The World of Masks, The Emily Lowe Gallery, Hofstra Academy, Hempstead, NY
1971
Face up Coverings, Museum of Contemporary Crafts of the American Crafts Council, New York, NY
1972
Bestiary, Cordier & Ekstrom, New York, NY
Contempo Effigy Sculpture, Fogg Fine art Museum (now Fogg Museum, Harvard Fine art Museums), Harvard Academy, Cambridge, MA; Museum of Art (now RISD Museum), Rhode Island School of Design, Providence, RI; Bowdoin Higher Museum of Fine art, Bowdoin College, Brunswick, ME: Hopkins Center Fine art Galleries, Dartmouth College, Hanover, NH; Vassar College Fine art Gallery (now Frances Lehman Loeb Art Middle), Vassar College, Poughkeepsie, NY
Artists' Benefit for Civil Liberties, Leo Castelli Gallery, New York, NY
Selections from the Aldrich Museum Collection, Aldrich Museum of Gimmicky Art, Ridgefield, CT
Afterward Surrealism: Metaphors and Similes, John and Marble Ringling Museum of Art, Sarasota, FL
1973
Biennial Exhibition, Whitney Museum of American Art, New York, NY
The Torso, Andrew Crispo Gallery, New York, NY
1974
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
Contemporary American Sculpture, The Society of the Four Arts, Palm Beach, FL
Invitational Exhibition, American Academy of Arts and Letters/National Institute of Arts and Letters, New York, NY
In Her Own Image, Philadelphia Museum of Fine art/Samuel S. Fleisher Art Memorial, Philadelphia, PA
Woman's Piece of work: American Art 1974, Museum of the Philadelphia Civic Center, Philadelphia, PA
Cordier & Ekstrom, New York, NY
Contemporary Arts Center, Cincinnati, OH
1975
Rutgers University, New Brunswick, NJ
Long Isle Collectors Exhibition: Modern Masterpieces and Gimmicky Art from Distinguished
Long Island Collectors, Hillwood Art Museum, C.Westward Post Campus, Long Island Academy, Brookville, NY
A Change of View, Aldrich Museum of Contemporary Fine art, Ridgefield, CT
Menace, Museum of Contemporary Art, Chicago, IL
Cordier & Ekstrom Gallery, New York, NY
1976
The Presence and the Absence in Realism, Roland Gibson Gallery, Country Academy of New York, Potsdam, NY
Drawing At present: 10 Artists, Soho Centre for the Visual Arts, New York, NY
American Artists:'76: A Celebration, Marion Koogler McNay Art Institute, San Antonio, TX
American Concern: The Humanist View, Haupert Matrimony Building, Moravian College, Bethlehem, PA
Perspective 1976, Freedman Fine art Gallery, Albright College, Reading, PA
Cordier & Elkstrom Gallery, New York, NY
1977
Contemporary Women: Consciousness and Content, Brooklyn Museum of Art, Brooklyn, NY
Cartoon Today in New York, Hamilton Gallery, New York, NY
Alumni Fine Arts Show, Pratt Plant, Brooklyn, NY
Contemporary Bug: Works on Newspaper by Women, The Woman'south Building, Los Angeles, CA
Images of Horror and Fantasy, Bronx Museum of the Arts, Bronx, NY
Circa 1963, Buecker and Harpsichords, New York, NY
Women's Art Symposium National Invitational Exhibition, Turman Gallery, Indiana State University, Terre Haute, IN
Cordier & Ekstrom, New York, NY
1978
Woman From Nostalgia to At present, Alex J. Rosenberg, New York, NY
Constructs, Organisation of Independent Artists, Bleecker Renaissance, New York, NY
1979
Az 1970-es evek uj amerikai festeszete, Hungary, Czechoslovakia, Poland, organized by the New Museum
of Contemporary Art, New York, NY
Form and Figure, Western Association of Art Museums, San Francisco, CA
The Figure of 5, The Gallery, Miami-Dade Community College, Miami, FL
The Unpainted Portrait: Contemporary Portraiture in Non-Traditional Media, John Kohler Fine art Center, Sheboygan, WI
The Male Image, Robert Samuel Gallery, New York, NY
Equally We See Ourselves - Artists' Self-Portraits, Heckscher Museum, Huntington, NY
Women in Fine art: The Politics of Esthetics, Hampshire College, Amherst, MA
Selections from the Olga Hirshhorn Drove, Huntington Galleries, Huntington, WV
20th Century Sculptors and Their Drawings: Selections from the Hirshhorn Museum and Sculpture Garden,
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Collage: American Masters, Montclair Art Museum, Montclair, NJ
1980
American Sculpture: Gifts of Howard and Jean Lipman, Whitney Museum of American Fine art, New York, NY
50th Ceremony of the Whitney Museum of American Art, Whitney Museum of American Art, New York, NY
Works on Paper, Newhouse Gallery, Snug Harbor Cultural Center, Staten Isle, NY
Perceiving Mod Sculpture, Grayness Fine art Gallery, New York University, New York, NY
tenth Flavour Grouping Show, Buecker and Harpsichord, New York, NY
1981
Bronze, Hamilton Gallery, New York, NY
Figuratively Sculpting, P.Due south.1, Institute for Art and Urban Resource, Long Island City, NY
The Effigy: A Commemoration, University of North Dakota Fine art Galleries, Grand Forks, ND
New Dimensions in Drawing 1950-1980, Aldrich Museum of Contemporary Art, Ridgefield, CT
Drawing Acquisitions 1978-1981, Whitney Museum of American Art, New York, NY
1982
Neo-Objective Sculpture, Sprint Gallery, Chicago, IL
Body Language: Current Issues in Figuration, San Diego State Academy Fine art Gallery, San Diego, CA
New Moving ridge Figurative Art, Bakery Gallery, La Jolla, CA
The Americans: The Collage, Gimmicky Arts Museum, Houston, TX
1983
The Sculptor as Draftsman, Whitney Museum of American Art, New York, NY
Concluding New York, The Brooklyn Army Last, Brooklyn, NY
20th Century Painting for the Discerning Collector, Galleria La Medusa, Rome, Italia
Gallery Sculptors, Terry Dintenfass Gallery, New York, NY
1984 - A Preview, Ronald Feldman Fine Arts, New York, NY
Six Sculptors, Bette Stoler Gallery, New York, NY
1984
Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Offense and Punishment: Reflections of Violence in Contemporary Fine art, Triton Museum of Art, Santa Clara, CA
American Women Artists: Part Ii: The Recent Generation, Sidney Janis Gallery, New York, NY
Nigh Face up, Fine art Museum of South Texas, Corpus Christi, TX
Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY
ID, Bette Stoler Gallery, New York, NY
Modern Masks, Whitney Museum of American Fine art at Philip Morris, New York, NY
Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada
Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Price Fine Arts, New York, NY
Sculptors' Drawings 1910-1980, Selections from the Permanent Collection, Whitney Museum of American Fine art, New York, NY
1985
Gimmicky Figure Drawing, Minneapolis College of Fine art and Design, Minneapolis, MN
Big Drawings, Bass Museum of Art, Miami Embankment, FL; Madison Art Center, Madison, WI; Norman
MacKenzie Art Gallery, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, AK; Santa Barbara Museum of Fine art, Santa Barbara, CA; Tweed Museum of Art, Duluth, MN
Blackness and White Ii: The Absence of Color, Hand In Hand Galleries Ltd., New York, NY
American Art: American Women, Stamford Museum and Nature Center, Stamford, CT
Invitational Exhibition, Artmart, New York, NY
Collage: The State of the Fine art, Bergen Museum of Art and Science, Paramus, NJ
1986
Relief Sculpture, Hirshhorn Museum and Sculpture Garden, Smithsonian Establishment, Washington, DC
Maelstrom: Contemporary Images of Violence, Emily Lowe Gallery, Hofstra Academy, Hempstead, NY
1987
The Political is Personal, Ceres Gallery, New York, NY
Images of Power: Visual Statements past ten Major Women Artists, Rockland Center for the Arts, W Nyack, NY
The Cartoon Show, Katherine Due east. Nash Gallery, University of Minnesota, Minneapolis, MN
Modern American Realism: The Sara Roby Foundation Collection, National Museum of American Art,
Smithsonian Constitute, Washington, DC
Crime and Punishment, Schreiber/Cutler, Inc., New York, NY
Inaugural Exhibition: 30 from 25 - 1960 to 1985, Sheppard Gallery, Church of Fine Arts Complex, University of Nevada at Reno, Reno, NV
National Sculpture Society: Fifty-Fourth Almanac Exhibition, Port of History Museum at Penn's Landing, Philadelphia, PA
Drawings: Invitational Exhibition, Bemis Foundation Alternative Worksite, New Gallery, Omaha, NB
Spatial Considerations/Invitational Sculpture Exhibit, Decker and Meyerhoff Galleries, Maryland Institute College of Art, Baltimore, Doctor
The Eloquent Object, The Philbrook Museum of Art, Tulsa, OK
1988
The Oakland Museum, Oakland, CA
The Chicago Public Library, Chicago, IL
Work of the Spirit, Ceres Gallery, New York, NY
American Works on Paper, Spanierman Gallery, New York, NY
1989
The Eloquent Object, Orlando Museum of Fine art, Orlando, FL; The Virginia Museum of Fine Arts, Richmond, VA
1990
Nancy Grossman, Ariane Lopez-Huici, Aura Rosenberg, Carolee Scheemann, Joan Semmel, Nahan Contemporary, New York, NY
No Trends, Nahan Gimmicky, New York, NY
Fine art - The Universal Language, Rempire Gallery, New York, NY
Broken Rifles: American Artists Accolade the War Resisters League, Arthur A. Houghton Gallery, Cooper Union, New York, NY
An Creative person'south Christmas, Midtown Payson Galleries, New York, NY
1991
World Disorder, The Cultural Space, New York, NY
The Hybrid State, Get out Fine art, New York, NY
1992
Rubber Soul, LedisFlam Gallery, New York, NY
Erotiques, A.B. Galeries, Paris, France
The Auto-Erotic Object, Hunter Higher Gallery, New York, NY
1920 - The Subtlety of Subversion, The Continuity of Intervention, Exit Art/The First Earth, New York, NY
1993
Women at War, LedisFlam Gallery, New York
Street Play, Tribeca 148 Gallery, New York, NY
Coming to Ability: 25 Years of Sexually Ten-Plicit Art by Women, David Zwirner Gallery, New York, NY
Almanac Exhibition, The National Academy of Design, New York, NY
1994
Crime, Solo Impressions, Inc., New York, NY
Matrilineage, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY
Crude Cuts, Henry Street Settlement/Abrams Fine art Center, New York, NY
1995
Nancy Grossman / Linda Stein, Cortland Jessup Gallery, Provincetown, MA
A Matter of Synthesis: Collage and Assemblage, Arlene Bujese Gallery, East Hampton, NY
Collage: Made in America, Michael Rosenfeld Gallery, New York, NY
In Three Dimensions: Women Sculptors of the 90'southward, Newhouse Center for Contemporary Art, Snug Harbor Cultural Heart, Staten Isle, New York
In A Dissimilar Light, University Art Museum, Berkeley, CA
Drawings past Sculptors: Selections from the Permanent Collection, Arkansas Arts Middle (now Arkansas Museum of Fine Arts), Little Rock, AR
1996
Fries off the Block: Carvers, Luise Ross Gallery, New York, NY
Cobweb and Class: The Woman'southward Legacy, Michael Rosenfeld Gallery, New York, NY
Patchwork, Andre Zarre Gallery, New York, NY
Nancy Grossman / Bruce Cratsley, Cortland Jessup Gallery, Provincetown, MA
Powerful Expressions: Contempo American Drawings, National Academy of Design, New York, NY
Expressive Voices of the Meaningful: Large Drawings and Objects from the Arkansas Arts Center Foundation Collection, Arkansas Arts Center, Little Rock, AR
1997
Sweet and Mellow, Go out Art/The First Earth, New York, NY
1998
Modern American Realism: The Sara Roby Foundation Collection from the National Museum of
American Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL; Madison Art Middle, Madison, WI; Columbus Museum, Columbus, GA; Heckscher Museum of Art, Huntington, NY; Everson Museum of Fine art, Syracuse, NY
The '60's in the Seventies, Ubu Gallery, New York, NY
Peep Prove, Exhibition of Erotic Fact and Fantasy, Luise Ross Gallery, New York, NY
Twentieth Century American Drawings, Arkansas Arts Middle, Picayune Stone, AK; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Fine art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Fine art Museum, Boise, ID
1999
Afterimage: Cartoon Through Procedure, Museum of Contemporary Art and The Geffen Contemporary, Los Angeles, CA
Contemporary Classicism, Neuberger Museum of Art, State University, Buy, NY
Intimate Expressions: Two Centuries of American Drawings, Columbus Museum, Columbus, GA
Rendezvous North Carolina: 20th Century Sculpture and Sculptors' Drawings from the Weatherspoon Art Gallery and the Ackland Fine art Museum, Ackland Art Museum, Chapel Hill, NC
Drawn Across the Century: Highlights from the Dillard Collection of Art Newspaper, Weatherspoon Art Gallery, Greensboro, NC
Chronicle, School of Visual Arts, New York, NY
Big Drawings from the Arkansas Arts Heart Foundation Collection, circulated by Smith-Kramer Fine Arts Services, Kansas City, MO; The Columbus Museum, Columbus, GA; The Butler Institute of American Art, Youngstown, OH; Mississippi Museum of Fine art, Jackson, MS; Cedar Rapids Museum of Fine art, Cedar Rapids, IA; Hunter Museum of American Art, Chattanooga, TN; Centre for Visual Art, Metropolitan Land University, Denver, CO; Georgia Museum of Art, Academy of Georgia, Athens, GA; Washington State University Museum of Fine art (now Jordan Schnitzer Museum of Art), Washington Land Academy, Pullman, WA; Pensacola Museum of Art, Pensacola, FL
2000
The End: An Independent Vision of the History of Contemporary Fine art, Exit Art, New York, NY
The Likeness of Being: Gimmicky Cocky-Portraits by lx Women, DC Moore Gallery, New York, NY
True Dust: Seven Female person Visionaries earlier Feminism, Michael Rosenfeld Gallery, New York, NY; Mills College Art Gallery, Oakland, CA; Boise Museum of Art, Boise, ID; Marsh Art Gallery, Academy of Richmond, Richmond, VA; Farnsworth Fine art Museum, Rockland, ME; El Paso Museum of Art, El Paso, TX; Newcomb Art Gallery, Tulane University, New Orleans, LA; Centre for the Visual Arts, Metropolitan Country Higher, Denver, CO
Michael Rosenfeld Gallery: The Beginning Decade, Michael Rosenfeld Gallery, New York, NY
2001
18 Year Retrospective Exhibition, Beacon Street Gallery, Chicago, IL
Rupture & Revision: Collage in America, Pavel Zoubok, Inc, New York, NY
Tracing Vision: Modern Drawings from the Ceseri Collection and the Georgia Museum of Fine art, Wright State Academy Art Galleries, Dayton, OH; Samuel P. Harn Museum, University of Florida, Gainesville, FL
Me and My Baby: Identity and Creativity, Lucy Daniels Foundation Annual Conference on Psychoanalysis and Creativity, Cary, NC
2002
Gloria: Another Await at Feminist Art of the 1970s, White Columns, New York, NY; Rhode Island School of Design, Providence, RI
Something / Anything, Matthew Marks Gallery, New York, NY
Personal & Political: The Women's Art Movement, 1969-1975, Lodge Hall Museum, Due east Hampton, NY
2003
In the Eye of the Beholder, George Adams Gallery, New York, NY
Contempo and Contemporary American Art, Scottish National Gallery of Modern Art, Edinburgh, Scotland
Creative Infinite: L Years of Robert Blackburn's Printmaking Workshop, International Impress Center, New York, NY
2004
Presence, Chelsea Art Museum, New York, NY
Mike Kelley: The Uncanny, Tate Liverpool, Liverpool, England; Museum Moderner Kunst Stiftung Ludwig, Vienna, Republic of austria
Betwixt Art and Life: From Joseph Cornell to Gabriel Orozco, Miami Fine art Museum, Miami, FL
2005
Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art, Mizel Middle for Arts and Civilization, Denver, CO
Contemporary Women Artists: New York, University Fine art Gallery, Indiana State Academy, Terre Haute, IL
Collage: Signs & Surfaces, Pavel Zoubok Gallery, New York, NY
2006
Skin is a Language, Whitney Museum of American Art, New York, NY
Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore Higher, Saratoga Springs, NY
Lines of Discovery, 225 Years of American Drawings, Columbus Museum of Art, Columbus, GA; The Gilcrease Museum, Tulsa, OK; Kalamazoo Institute of Arts, Kalamazoo, MI; Arkansas Art Eye, Petty Rock, AR
When the Revolution Comes, Cullen Fine Arts, New York, NY
2007
Agents of Change: Women, Fine art and Intellect, Ceres Gallery, New York, NY
WACK! Art and the Feminist Revolution, 1965-1980, Los Angeles Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S.1 Contemporary Art Middle, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia
The Critic equally Advocate: The Legacy of Arlene Raven, College of Staten Isle, Staten Island, NY
The Third Mind, Palais de Tokyo, Paris, France
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, England
2008
(un)common threads, Michael Rosenfeld Gallery, New York, NY
2009
Everywhere: Politics of Sexual Diversity in Fine art, Centro Galego e Arte Contemporánea, Santiago de Compostela, Spain
Propose: Works on Paper from the 1970s, Alexander Grayness Associates, LLC, New York, NY
Reconfiguring the Body in American Fine art, 1820-2009, National University Museum of Fine art, New York, NY
2010
Visible Vagina, Francis Naumann Fine Art, New York, NY
Unlike Strokes: Twentieth Century Drawings, George Adams
2011
From the Paw: Drawings from the Hofstra University Museum Collection, Hofstra Academy Museum, Hempstead, NY
Women Sculptors of the National Academy, National Academy Museum, New York, NY
Collage, Michael Rosenfeld Gallery LLC, New York, NY
2012
Every Exit is an Entrance: 30 Years of Exit Art, Go out Fine art, New York, NY
Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, NY
To be a Lady: Forty-five Women in the Arts, 1285 Avenue of the Americas Fine art Gallery, New York, NY
The Female person Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
...On Paper, Michael Rosenfeld Gallery LLC, New York, NY
INsite/INchelsea: The Countdown Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
2013
Ballet of Heads: The Figure in the Collection, Berkeley Art Museum, University of California, Berkeley, CA
Personal, Political, Mysterious, The FLAG Art Foundation, New York, NY
A New View: Contemporary Art, Saint Louis Art Museum, Saint Louis, MO
Artists' Cocky-Portraits from the Collection of Jackye and Curtis Finch, Jr., The Arkansas Art Middle, Fiddling Rock, AR; The Baker Museum, Naples, FL
2014
A Chromatic Loss, Bortolami Gallery, New York, NY, Jan ix-February 15, 2014
The Sara Roby Collection, Smithsonian American Art Museum, Washington, DC
Inaugural Group Testify: Gallery Artists, March Selwyn Fine Art, Beverly Hills, CA
Venus Drawn Out: 20th Century Drawings by Slap-up Women Artists, The Armory Show Modern, New York, NY
Vintage Violence, Monya Rowe Gallery, New York, NY
New Hells, Derek Eller Gallery, New York, NY
4 Figures, Marc Selwyn Fine Art, Los Angeles, CA
Solitary Soul, Michael Rosenfeld Gallery LLC, New York, NY
2015
America Is Hard to Run into, Whitney Museum of American Fine art, New York, NY
Affinity Atlas, Frances Young Tang Teaching Museum at Skidmore College, Sarasota Springs, NY
It's Never Just Black or White, Michael Rosenfeld Gallery LLC, New York, NY
Metallic: American Sculpture, 1945-1970, Michael Rosenfeld Gallery LLC, New York, NY
2016
Passages in Modern Fine art: 1946-1996, Dallas Museum of Art, Dallas, TX
Human Interest: Portraits from the Whitney'southward Collection, Whitney Museum of American Art, New York, NY
Decade by Decade: Art Acquired in Its Fourth dimension, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
It'due south Not Your Nature, Michael Rosenfeld Gallery LLC, New York, NY
2017
Delirious: Art at the Limits of Reason, 1950-1980, The Metropolitan Museum of Art - Met Breuer, New York, NY
Collage: Made in America, Michael Rosenfeld Gallery LLC, New York, NY
The Time Is N♀w, Michael Rosenfeld Gallery LLC, New York, NY
Torso of Piece of work, Honolulu Museum of Art, Honolulu, Hello
Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017, Whitney Museum of American Art, New York, NY
Pratt Survey Exhibition Part ane: Camerado, this is no volume, Dekalb Art Gallery, Pratt Constitute, Brooklyn, NY
1072 Society Exhibition, Jule Collins Smith Museum of Fine Fine art, Auburn Academy, Auburn, AL
Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY
2018
The Torso in Color, The Metropolitan Museum of Art - Met Breuer, New York, NY
Birthday Presents, Ackland Art Museum, The Academy of N Carolina at Chapel Hill, Chapel Hill, NC
Celebrating 50 Years of the The states Open Championships, Us Tennis Clan (USTA) President's Suite, Arthur Ashe Stadium, Flushing Meadows, NY
Modern American Realism: Highlights from the Smithsonian'south Sara Roby Foundation Drove, Portland Art Museum, Portland, OR
2019
Art Subsequently Stonewall, 1969 to 1989, Greyness Art Gallery, New York University, New York, NY; Leslie-Lohman Museum of Gay and Lesbian Fine art, New York, NY; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; Columbus Museum of Art, Columbus, OH
Art of Defiance: Radical Materials, Michael Rosenfeld Gallery LLC, New York, NY
Drawn Together Once more, The FLAG Art Foundation, New York, NY
The Awareness of Infinite, The Warehouse, Dallas, TX, co-organized by the Warehouse and the Nasher Sculpture Middle, Dallas, TX
Beauty and Seize with teeth, Frances Young Tang Teaching Museum and Art Gallery, Skidmore Higher, Saratoga Springs, NY
Strange, Berkeley Art Museum & Pacific Motion picture Archive, University of California, Berkeley, CA
"War Within, State of war Without," Collection 1940s-1970s, The Museum of Modernistic Fine art, New York, NY
2020
Comfort, curated by Omar Sosa, Friedman Benda, New York, NY
Drawn Together: 5 Centuries of Drawing from the Bowdoin College Museum of Art, Master Drawings New York, Driscoll | Babcock Galleries, New York, NY
Paper Power, Michael Rosenfeld Gallery LLC, New York, NY
Figure/S: drawing later Bellmer, Drawing Room, London, England
The Cone Family Legacy, Weatherspoon Art Museum, The Academy of North Carolina at Greensboro (UNC Greensboro), Greensboro, NC
InterStates of Listen: Rewriting the Map of the United States in the Age of the Automobile, Eli and Edythe Broad Art Museum, Michigan Country Academy, Eastward Lansing, MI
2021
Surrealism in American Art, Centre de la Vielle Charité, Marseille, France
Nasher Mixtape, Nasher Sculpture Center, Dallas, TX
Non I: Throwing Voices (1500 BCE - 2020 CE), Los Angeles Canton Museum of Fine art, Los Angeles, CA
Vibrant: Artists Appoint with Color, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
Ways of Seeing: Three Takes on the Jack Shear Drawing Collection, The Cartoon Center, New York, NY
2022
Peter Marino Fine art Foundation, Southampton, NY
Useless Bodies?, curated by Elmgreen & Dragset, Fondazione Prada, Milan, Italy
Cartoon Matters, Emily Lowe Gallery, Hofstra University Museum of Fine art, Hofstra University, Hempstead, NY
Time to come Bodies from a Contempo Past: Sculpture, Technology, and the Body since the 1950s, Museum Brandhorst, Munich, Germany
New York: 1962-1964, The Jewish Museum, New York, NY
A Gateway to Possible Worlds: Fine art and Scientific discipline Fiction, Centre Pompidou-Metz, Metz, France
1962
Ida C. Haskell Award for Foreign Travel, Pratt Institute
1965-66
John Simon Guggenheim Foundation Fellowship
1966
Inaugural Contemporary Achievement Award, Pratt Establish, Brooklyn, NY
1970
Ane Hundred Women In Impact With Our Time, Harper'southward Bazaar Magazine
1973
Juror, New York State Quango on the Arts, sculpture applicants for CAPS Fellowships
1974
Commencement Speaker and Honored Invitee, 99th Commencement Exercises, Massachusetts College of Art, Boston, MA
1974
American Academy of Arts and Letters, National Institute of Arts and Letters Award
Juror, American University in Rome, sculpture applicants for Prix de Rome Fellowships
1975
Elected to Membership, National Society of Literature and the Arts
1984
National Endowment for the Arts Fellowship in Sculpture
1990
The Hassam, Speicher, Betts and Symons Purchase Honor, The American Academy and Institute of Arts and Letters
1991
Artist's Fellowship in Sculpture, The New York Foundation for the Arts
1991-92
Nancy Grossman at Go out Art, The Hillwood Art Museum and the Sculpture Centre selected 1 of the three best exhibitions in an art gallery of this season by The American Affiliate of the International Art Critics Association
1994
National Academician Award, National Academy Museum, New York, NY
1995
Alumnae Achievement Award, Pratt Institute, Brooklyn, NY
1996-97 Joan Mitchell Foundation Grant
2001
Pollock-Krasner Foundation Grant
2008
Women'due south Caucus for Art Lifetime Accomplishment Award
2014
All-time Bear witness in a Commercial Space in New York, International Association of Art Critics
Source: https://www.michaelrosenfeldart.com/artists/nancy-grossman-b1940/selected-works/1
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